What to see while buying a Guitar - For beginners
There is no such thing as right or wrong when it comes to choosing a guitar. Bigger does not always mean better, and the popularity of a particular guitar does not necessarily mean that it’s for you. Acoustics come in all shapes and sizes, and (this should be your mantra) what someone else finds appealing may not be right for you.
The traditional workhorse of acoustic guitars is the dreadnought, of which the Martin D-28 is the standard bearer. Powerful, versatile and extremely cool-looking, this model has graced countless recordings and is the classic rock acoustic guitar. The D-28’s success over the years has spawned countless imitations, good and bad. Pick one out, give it a few good strums and then go on to something with a different look, feel and sound—a small guitar, like a Grand Concert size Taylor, a jumbo Gibson or an Ovation Adamas. Even if you can’t afford any of these instruments, playing them will give you at least an idea of the kind of guitar you’re most comfortable with.
Obviously, whatever guitar you ultimately choose must be comfortable to play. If the action is too high—the strings are too far from the fretboard— your fingers will pay a price, and it may be an indication that the neck is bowed. Look for low, even action up and down the fretboard, with the strings slightly higher at the 12th fret. Check for fret buzz by playing chords and single notes at different spots on the neck. Some pro players like their action higher for a clearer, punchier sound, but if you are a beginner or an electric player buying your first acoustic, you will probably find light strings and a low action to be more suited to your needs.
You may have heard players discuss how good or bad the “intonation” is on a particular guitar. This refers to how well a guitar is in tune up and down the neck. The easiest way to check this is to play an open D chord and then play the same D chord at the 14th fret. If the guitar sounds out of tune up there you know it’s got a problem.
Although tuning and other problems like fret buzz can often be alleviated with simple neck adjustments, they sometimes require more involved bridge work. The odds are that this is something you don’t want to get into when buying a brand new guitar. On the other hand, if you’ve really fallen in love with a particular instrument that needs a little work, have the dealer take care of the necessary repairs and then try the guitar again before finalizing your purchase.
The traditional workhorse of acoustic guitars is the dreadnought, of which the Martin D-28 is the standard bearer. Powerful, versatile and extremely cool-looking, this model has graced countless recordings and is the classic rock acoustic guitar. The D-28’s success over the years has spawned countless imitations, good and bad. Pick one out, give it a few good strums and then go on to something with a different look, feel and sound—a small guitar, like a Grand Concert size Taylor, a jumbo Gibson or an Ovation Adamas. Even if you can’t afford any of these instruments, playing them will give you at least an idea of the kind of guitar you’re most comfortable with.
Obviously, whatever guitar you ultimately choose must be comfortable to play. If the action is too high—the strings are too far from the fretboard— your fingers will pay a price, and it may be an indication that the neck is bowed. Look for low, even action up and down the fretboard, with the strings slightly higher at the 12th fret. Check for fret buzz by playing chords and single notes at different spots on the neck. Some pro players like their action higher for a clearer, punchier sound, but if you are a beginner or an electric player buying your first acoustic, you will probably find light strings and a low action to be more suited to your needs.
You may have heard players discuss how good or bad the “intonation” is on a particular guitar. This refers to how well a guitar is in tune up and down the neck. The easiest way to check this is to play an open D chord and then play the same D chord at the 14th fret. If the guitar sounds out of tune up there you know it’s got a problem.
Although tuning and other problems like fret buzz can often be alleviated with simple neck adjustments, they sometimes require more involved bridge work. The odds are that this is something you don’t want to get into when buying a brand new guitar. On the other hand, if you’ve really fallen in love with a particular instrument that needs a little work, have the dealer take care of the necessary repairs and then try the guitar again before finalizing your purchase.
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